How does the Big Issue cover you have studied use media language to construct an alternative representation of an event / group / issue?
The Big Issue uses various elements of media language to
construct an alternative representation of poverty in its January 2018 issue.
The image on the front cover shows close up, eye level angle shots of roughly
twenty people, portraying the cover as unusual due to its crowded composition.
The mise en scene includes the signature red jacket worn by the big issue
vendors, connoting their contribution to the organisation. All models are
featured in their natural state, as they have not been styled, for example, the
man on the left hand side is seen carrying his dog, many vendors are wearing hats, caps, headbands and two
women are seen wearing a headscarf, indicating their belonging from various
ethnic communities, addressing cultural diversity in the UK. The Big Issue
claims to be a social merchant bank, seeking to dismantle poverty through
helping people out of financial crisis, perhaps the vendors featured on the
cover are those who have been aided by the organisation. The image breaks the
stereotype that we have of destitute people, we often picture them as beggars
on the street, appearing homeless and dirty. However, the vendors look very
neat, hence rebuilding the idea that not everyone who faces financial struggles
is homelessness , neither are all homeless people beggars. Hall’s theory of
oppositional ideology can be applied here, as the image challenges the dominant
representation of indigence in the media, e.g. in films, news, TV. Overall, the
cover features the individuals in a positive manner, seen in their pleased
facial expression, connoting how the issue of poverty and financial instability
can be tackled in the UK, an important aim of the Big Issue.
The main cover line ‘We are here’ portrays the vendors as a
collective group. It works with the image to compel us to see destitute
individuals as an equal part of society. ‘Here’ implies how poverty and
financial instability is a mass problem in the UK. ‘We are here’ is an overall
positive phrase because it establishes the existence of a group working
together to dismantle poverty, assuring society. The mast head of the big issue
is seen clearly on the cover, connecting the audiences to the foundation
through recognition. The words are written in a professional font, they’re bold
red and outlined in yellow, traditional colours of the Big Issue, showing
consistency. #Celebrateyourvendor uses direct address to encourage readers to
become a part of the foundation and positively contribute to society. The
traditional strapline ‘A hand up not a hand out’ is written to establish how
the organisation helps people to get out of financial and social exclusion
through self-sufficiency.
Overall, the image, mise en scene and text is used to
construct a positive message regarding poverty. The crowd of close up’s showing
ethnically diverse people presents a sense of community in the UK. The image
and text work together to acknowledge and celebrate the contribution of vendors
towards erasing destitution. Choosing to feature people belonging from various
backgrounds is perhaps a celebration of the will that The Big Issue vendors possess
to become a better person and bring a positive change within their lives and
wider society. This portrays the organisations ultimate goal, of working with
people to defeat any issue, whether it’s social or personal.
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A well written response Fatima where you show excellent knowledge of the magazine's values and ethos, and analyse the representations of homelessness presented on the cover. This is supported by detailed textual analysis and well chosen examples. I would have liked to see a brief introduction to the magazine with some dates/ facts taken from your media kit task. And what is "indigence"? Is this a mistake? On the whole this is an excellent response and the right kind of length for a 10 mark answer I think. V
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