Analyse
why The Big Issue has used an intertexual approach on its front cover
The Big Issue
is a street newspaper, made to distribute knowledge on public issues. The
magazine is highly unusual as its content is often user generated, seen in the
front cover which appears to have been hand drawn by a child. The ‘Education
Special’ front cover relies heavily upon the use of intertexuality embedded in
the images and text, to generate meanings about the British Education System.
The three significant intertexual references on the cover are the use of text,
which mirrors that of Grange Hill, a British drama series. The images of three
leading characters from JK Rowling’s novel series Harry Potter, also a film
series. Lastly, the iconic hammers from The Wall by a British band Pink Floyd,
later developed into a film.
The first
image that audiences may be drawn to are the widely popular fictional
characters Harry Potter, Ron Weasly and Hermione Granger, centre of JK Rowling’s
novels. The Big Issue has used Harry Potter’s signature round glasses, the long
robes of Hogwarts and the magic wand Ron’s holding, featured in the film, to
help audiences connect through recognition. The plot focuses on the lives of
these three friends who are students at Hogwarts magic school, where they are
given the freedom to use their superpowers. Rowling creates an optimistic
education system that caters to its student’s needs, offering a sharp contrast
to the British education system in which students are passive. Perhaps the
purpose of this intertextual reference is to compel audiences to compare, and
question the true purpose of education. The Big Issue gives hints as to how
education should be the way Rowling portrays it in her novels; encouraging independence.
The creative freedom offered by Hogwarts perhaps results in the characters
satisfied facial expressions, and Harry’s arm around his friends connoting how
they’ve developed to work in unity, rather than compete, encouraged by British
education.
The second
intertextual reference created by The Big Issue is the presence of the iconic
marching hammers along the bottom of the cover from Pink Floyd’s The Wall,
originally a music album that later developed into a BBC drama , depicting the
lives of students in an oppressive educational institution. Hammers are tools
used to build and destroy materials, reflecting the nature of The Walls
education system that developed its students into unquestioning obedience,
resulting in their creative thinking and independence slowly destructing. It is
interesting that the colours of the hammers are black, white and red, the same
as the Nazi flag, creating a powerful imagery of education as a dictatorship
that silences voices and freewill. The fact that the hammers are the logo of
The Wall, connotes how its education system is a symbol of tyranny. The hammers
act as a barrier to the characters behind, who are a representation of
education but in reality are trapped in it. The use of intertextuality hints at
the dominating nature The British Education system which seems to erase
creative freedom of children.
The final piece of intertextual reference is in the masthead
which embodies the font style of drama series ‘Grange Hill’. The show is
popular for its unusual plots, where students are victims of issues like racism
, drugs , teenage pregnancies. Similar crises are affecting young adults in the
UK, hinting at how our education system is failing to cater to students
emotional needs, as it is too focused on academic success. The following cover
line ‘What’s school for’ summarises the purpose of this issue, to question and
reconstruct the real aim of education and whether Britain is fulfilling that.
The cover line at the bottom of the page ‘Does Finland have the answer?’ seems
to be a clear message that the British Education system needs changes, because
it tells us to take inspiration from Finland, where children don’t begin school
until age seven and are not constantly made to take assessments e.g. SAT’s,
GCSE’s , A levels, as is the norm in Britain.
It can be argued that the intertextual references used by
The Big Issues serve as the possible purposes of education, for example, should
the aim of it be like Rowling portrays it, offering complete independence. The
intertextual references almost act as different scenarios which motivate
audiences to think about the purpose of education. The image of all the
characters together give the powerful message of any change being possible
through group action, especially by the youth, who need to perhaps question the
system they exist in, while receiving support from society.
This is another excellent, very well researched piece of writing Fatima. You have carefully selected and analysed three key intertextual references, linking their sometimes mixed messages to this edition of the big issue. A minor point- I would have liked to see a more explicit link to the ethos f the magazine and how it’s alternative agenda is illustrated by these representations. V
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